Connect with us

World Pride 2025

Betty Who talks Broadway, Pride, and reclaiming her sound

With a new single and WorldPride performance on the horizon, the queer pop singer opens up about transformation, community, and the music that moves her.

Published

on

Betty Who is ready for her new era as she performs at WorldPride in Washington. (Photo courtesy of Zak Cassar)

There are few performers who have maintained as consistent and authentic a relationship with Washington—and its LGBTQ community—as Betty Who.

Betty Who, the Australian-American pop singer originally from Sydney, has spent the last 15 years taking her breathy, synth-driven sound from hole-in-the-wall venues to some of the most iconic stages in the world. She’s been around —and she’s not going anywhere.

The Blade recently sat down with the beloved pop princess to talk about her recent Broadway run in Hadestown, her evolving sound, and why performing at Pride events in the nation’s capital holds such a special place in her heart.

Born Jessica Anne Newham in 1991, Who moved to the U.S. in her teens to pursue a promising music career. A multi-instrumentalist since childhood—she plays the cello, piano, and guitar—she’s collected devoted fans, especially LGBTQ ones, along the way.

“It feels pretty crazy,” Who said, reflecting on her unique connection with D.C. “D.C. is one of those cities that I never really expected to have the relationship with that I have at this stage. I started coming to D.C. in the first year of my career—I was playing a couple East Coast cities because I was based in Boston for school, and then I moved to New York.”

In 2014, Who was one of the headlining performers at Capital Pride and has kept that relationship close ever since.

“I would pack up the rental car with my friends from Berklee and go play these shows. And D.C.— what I remember is playing at the Rock & Roll Hotel. I have a long history of playing shows in D.C., and there are few cities that have shown up for me in the way that D.C. does whenever we come around. It’s always one of the biggest shows of the tour. And there’s something about the energy there that is just undeniable for me.”

That energy, she said, continues to fuel her artistic evolution. Her 2022 album “BIG!” marked a shift for her development.

“’BIG!’ was such a huge turning point for me,” Who said. “I think because I was trying to reinvent, but I think I was stuck in a lot of the same patterns that I had been stuck in for a long time. And through making ‘BIG!,’ I thought that I was breaking a lot of those patterns. And on looking back, I realized that I still had so much work to do, and maybe that’s just being an adult. Being in your life, you think you’ve got it all figured out, and then five years later, you look back and you’re like, ‘You silly little girl!’”

One major change has been her approach to releasing music.

“The interesting thing about this era and phase of music is that I do feel like the urgency has been turned up a lot for me,” she explained. “When I came into the business, the model was like: make a song, submit it to your label, and maybe two and a half years later somebody hears it. And now, I finished ‘Run!’ eight weeks before everybody heard it. That direct-to-consumer pipeline that I’m now exploring feels really exciting. That urgency feels more real and tingly for me. I think I used to lose steam sitting on music for so long. Now, it’s like—I haven’t decided that I love these songs, I just like them enough to put them out. It takes me a long time to decide how I feel about music, and I’m excited about this new era.”

That new era is also one of self-discovery—both musically and personally. Her recent Broadway debut as Persephone in the Tony Award-winning “Hadestown,” a retelling of the myth of Orpheus and Eurydice, was transformative.

“I think having an experience that’s really outside your wheelhouse, that makes you uncomfortable, that’s fresh and new—it’s that beginner’s mindset,” she said. “I’ve put in my 10,000 hours in music and songwriting. I’ve been doing it since I was a kid. I feel quite grown now. So to step away from everything I know and feel comfortable in—and throw myself into both of those experiences—helped me so much. It taught me a lot about leadership and about being part of a grander purpose. Because sometimes with Betty Who music, I’m like, ‘Who’s this for? What do I care about?’”

She continued: “I was like, ‘Wow, all these incredibly talented people have been working their whole lives to be on Broadway, and I got this chance to step into that world without the 5 a.m. auditions at Ripley-Grier.’ I felt very grateful. My imposter syndrome was definitely alive and well, but I tried to tamp it down because I wanted to be present and really experience it. Walking away from that and returning to music, I thought, ‘What if I could give that same energy to my own project? What if I could show up for this with that same beginner’s mindset?’ I learned so much.”

That renewed mindset has carried over into every aspect of her work.

“It feels a little bit more reckless—but in a good way, in a healthy way,” she said. “Where it’s like, great, I like it, put it out. That’s given me a little more freedom and more opportunity to experiment with sound and genre. I’m coming back to music with a lot more purpose and vision.”

That includes dance.

“We’ve been working really hard in the dance studio,” Who said. “Me and my boys—these two dancers I’m bringing on tour—we’ve really worked our asses off on this show. We’re creating shape and feeling and storytelling. It’s big theater ‘Hadestown’ energy. I’m asking, ‘How does this choreography serve the story of these songs?’ So I think if you’re coming to the show for the first or 15th time, you’ll see familiar moments, but also be transported somewhere new. There’s a new layer we’re adding, and I can’t believe it’s happening this weekend.”

She’s also drawing inspiration from artists who challenge traditional boundaries, including Beyoncé.

“I’m really inspired by so many artists right now—particularly my queen, my number one, Beyoncé—who said gender is made up,” Who laughed. “I was saying genre, but now gender and genre are both in my head—Freudian slip! Genre is made up. Her winning Country Album of the Year just showed me how silly it is to think I have to ‘be something.’ I should just make stuff I’m proud of. And that’s what I’m trying to do.”

Her current listening rotation reflects that mindset.

“I’m a huge Kenny Loggins fan—big Ken-ergy in this one,” she said. “His Vox Humana record has this song ‘No Lookin’ Back,’ and that album has been really inspirational to me sonically.”

She paused and pulled up her Spotify library. “I’m going to open my Spotify… Jennie’s record from Blackpink—because I’m a Blink, I’m a Blackpink stan. I love K-pop. Between the girls’ solo records and also XG—that’s a new discovery of mine. I guess I’ve been living under a rock,” she said with a laugh. “Six months ago, I was like, ‘Who’s XG?’ Their music is so good. XG is up there for me right now.”

It’s clear this new chapter for Who is rooted in empowerment, freedom, and connection.

“I think it sounds obvious to say, ‘Who you are is beautiful,’” she said. “But what I’m trying to embody right now is: you can be whoever you want to be, regardless of how other people see you. It’s about your agency, your choice, your ability to show up for yourself—and about creating the life and world you want to live in, in the body you want to be in.”

As she prepares to return to multiple stages during WorldPride, she couldn’t help but reflect on the significance.

“I feel so grateful and excited to be a part of this huge event. Especially now. The fact that WorldPride is happening in D.C.—the irony of it all, a little bit—feels like it’s time for us to show up and show out even bigger and better than we ever have. To be ourselves and celebrate that, especially when so many people don’t want to celebrate us.”

And just in time for Pride season, she has a brand-new single to dance to.

“My new song, ‘Sweat,’ comes out tonight—so it’ll be out by the time this is published. It’s a song I’m really excited about. It makes me want to dance and celebrate. I wrote it about a night I went out with all of my gay friends to a club in New York City and had a little too much fun. I was like, ‘Wow, this is… a lot.’ It’s very applicable for Pride. I’m really proud of it. It feels like a new sound, a big swing—even if other people listen and think, ‘Yep, that sounds like a Betty Who song.’ As an independent artist, I appreciate every single person who streams it. It means something. I look at artists with 100 million streams overnight and I’m like, that’s nice for them. But my world has more DIY, scrappy energy. We’re doing it together.”

Advertisement
FUND LGBTQ JOURNALISM
SIGN UP FOR E-BLAST

World Pride 2025

WorldPride recap: Festival, parade, fireworks, and Doechii

D.C. turned out for a massive celebration tempered by new political realities

Published

on

Doechii thrilled crowds at the end of a long WorldPride weekend. (Blade photo by Michael Key)

From Spain to Saint Lucia, Berlin to Brazil, travelers from around the globe began to arrive in Washington, D.C., for the biggest celebration of the LGBTQ community of the year. After two years of planning, over the course of nine days, one unified message of the strength of love against bigots that oppose the LGBTQ community emerged as WorldPride took over the city last week. 

The long road to the successful events wasn’t met with open arms, though. As Donald Trump was elected president the year prior, the political climate in the U.S. became even more polarized, with the LGBTQ community — and trans people specifically — becoming targets for far-right figures. 

This made it more difficult to ensure the safety of our transgender siblings within the LGBTQ community, especially while traveling to a city led by someone who has openly claimed them as enemies. InterPride, the group that runs WorldPride celebrations across the globe, even issued travel advisories for transgender and nonbinary people. 

Additionally, the U.S. Park Service fenced off Dupont Circle — one of the centers of Washington’s LGBTQ community — just days before the celebrations began. After massive pushback, they took down the fences and allowed people to use the circle as a place to celebrate. 

Despite the fears, scores of LGBTQ people poured into the capital just as rainbow banners, flags, posters, and messages of love and support covered every part of the city. 

The long list of celebrations was supposed to begin on May 31 with a concert from Colombian pop superstar Shakira at Nationals Park. 

“Due to circumstances beyond my control, I am sad and heartbroken that I will not be able to be in Washington, D.C., with you tomorrow,” said Shakira in a statement online. “I hope that I can come back to D.C. as soon as I am able.” 

The event was intended to serve as both a concert and the welcome ceremony for WorldPride Washington 2025. Yet, less than 48 hours before she was supposed to mark the beginning of the global LGBTQ festival, she abruptly canceled, citing issues with her stage. 

Despite the shaky start to the celebration, there was still music heard in the city — and not just Chappell Roan’s “Pink Pony Club,” which jumped to 16 on the U.S. Spotify streaming charts. Singers from all backgrounds joined the Gay Men’s Chorus of Washington to celebrate the “Freedom to Sing” in the International Choral Festival — spanning 17 days and numerous venues. 

Sports also had its moment at WorldPride this year. The Capital Cup Sports Festival, produced by Team DC, works to end discrimination against LGBTQ people participating in sports and awards scholarships to local LGBTQ student-athletes. The sports festival included 15 different sports competitions across three days — from rugby to rowing. 

There was also the WorldPride Film Festival, where filmmakers worldwide were encouraged to submit LGBTQ films of all genres and lengths to be screened during the WorldPride celebrations. From classic shorts like DC Gay Pride 1978 (1978), showcasing what Pride was like in the same city 46 years ago, to world premieres like Humans of Pride (2025), there was a myriad of motion picture art that showcased the LGBTQ community. 

As the fight for LGBTQ rights began to shift from the street with bricks to the halls of parliaments and presidents’ offices around the globe, the focus turned to fighting for legislatively ensured human rights. To ensure that LGBTQ and minority rights are preserved in countries where they exist and to attempt to expand them in places without protections, the WorldPride 2025 Human Rights Conference launched. 

For three days, upwards of 800 people — most of whom have devoted their careers to creating a world where “dignity, equality, and respect” are at the foundation of governments — gathered. Speakers like Jessica Stern, Spanish Sen. Carla Antonelli, Peruvian Congresswoman Susel Paredes, and Mariann Edgar Budde of the National Cathedral of Washington were just some of the notable attendees. 

The Pride celebrations really ramped up just as the Human Rights Conference started to wind down. On Friday, June 4, multiple parties began — including the sixth annual Pride on the Pier celebration (presented by the Washington Blade). This year, it was extended from one to two days in honor of WorldPride. On Friday, The Wharf in Southwest D.C. hosted a night of vendors, food, drinking, dancing, DJs, and — for the first time — a boat parade. Boats with LGBTQ people in their proudest outfits danced and waved up and down the river. 

WorldPride Boat Parade (Washington Blade photo by Michael Key)

Another highly anticipated event was the WorldPride Music Festival: Global Dance Party. This mega two-day event brought together LGBTQ icons from a slew of styles like house, pop, drag, circuit, and techno. Performers — some of which included headliners Jennifer Lopez and Troye Sivan, Reneé Rapp, Kim Petras, Purple Disco Machine, RuPaul, Betty Who, Tinashe, and local talent like Ed Bailey, Fish House Funk, Dickerman, and Miscalculated — performed at the RFK Festival Grounds. 

In addition to the Music Festival, there were two official WorldPride parties on Friday. “Full Bloom” brought together some of the East Coast’s most “iconic queer collectives and performers” — Flower Factory and Sweet Spot — with Capital Pride Alliance to host the dance party of the season. Floral outfits, carnival games, and a lot of sweaty dancing as far as the eye could see were the vibe of the night. 

“I am at Full Bloom having so much fun. It feels like a county fair, but for gay people, and I’m having a blast with my community,” said Henry Hicks, a journalist originally from Tennessee. 

“Queerness is about so much more than being able to get married and own property, queerness is about community. It’s about justice. It’s about liberation, and I feel like the ability to convene and express ourselves and really celebrate who we are outside of the confines of structures and institutions.” 

Also happening at the same time was the “Woven Together” party by Daryl Wilson Promotions, set to celebrate the Black LGBTQ community with “energy, the music, the fashion, and the men — all under one roof.” The party took place at The Park on 14th and, as advertised, was filled with energy, music, bold fashion, and men. 

On Saturday the 7th, Pride started just early enough to get a quick Bloody Mary in before the big events. The WorldPride Street Festival opened at 11 a.m., and included hundreds of booths — from vendors to nonprofits — and even a space for LGBTQ families to gather and allow their children to have their own space. The festival had something for everyone. 

As street festival attendees set up their booths hours before, people further northwest began to prepare for the biggest Pride parade in Washington’s history. With more than 300 contingents and 40,000 people marching in the parade alone, it’s safe to say 14th Street had never seen this many LGBTQ people and allies. 

Led by a 1,000-foot rainbow flag and Grand Marshals Renée Rapp and Laverne Cox, to say it was a party would be an understatement. It was a cacophony of sound and rainbow sights that included people shouting messages of love in nearly every language. Tequila shots were shared in flasks on the curb while people dressed in everything — from full leather outfits complete with pup masks to pasties, jockstraps, and fishnets. The parade was a true display of queer individuality and joy. 

Freddie Lutz and Johnny Cervantes celebrate at Freddie’s Beach Bar. (Washington Blade photo by Lou Chibbaro, Jr.)

A special local legend got married during the parade — Freddie Lutz of the Northern Virginia gay bar Freddie’s married his partner of 28 years, Johnny Cervantes, while riding down 14th Street in a chapel float. The couple celebrated their wedding shortly after at Freddie’s, where parade and WorldPride attendees were invited to join them. 

Another part of Washington’s Pride celebrations — the 17th Street Block Party — also began to ramp up as the parade made its way down 14th Street. The annual party, taking place in the city’s first “gayborhood,” was alive with drag performers, friends taking pictures and sipping drinks, and lovers wearing their queerness on their sleeves — or in many cases — sleeveless tank tops. 

“We are gangbusters on 17th Street — it is amazing,” said Georgia Katinas, whose family owns and runs Annie’s Paramount Steakhouse, a cornerstone of the Washington LGBTQ community since its opening 76 years ago. “It’s been hot like this since we opened at noon, packed full of the most diverse, wonderful people we’ve ever met. We are so happy.” 

Randy Downs, who soft-launched his and his boyfriend Rick Bennett’s pizza place, Protest Pizza, just for the Pride celebration, shared how he felt opening a queer-run restaurant at the peak of Pride. 

“It’s busy, non-stop, and incredible,” Downs said. “The energy is amazing and the block party is incredible as well. It hasn’t hit home yet.” 

As the sun dipped lower in the sky, the parade began to wind down—six hours after it kicked off at 2 p.m. The energy from the march spilled directly into the street festival, blending into one big, joyful queer celebration. Down Pennsylvania Avenue, performers delivered some of the greatest—and gayest—shows of their careers. Kristine W, CeCe Peniston, and David Archuleta lit up the stage, framed perfectly by the Capitol dome. The night wrapped with a show-stopping performance by Cynthia Erivo who, from afar, looked like she just might have been defying gravity. 

The Blade’s sixth annual Pride on the Pier expanded to two days for WorldPride. (Photo by Cedric Craig for Wild Side Media)

While Erivo lit up the Capitol Stage, fireworks burst over The Wharf for the second night of Pride on the Pier. Booms, “oooohs,” and “ahhhhhs” echoed along the river as the sky exploded in every color of the rainbow. Before and after the dazzling display, DJ Farrah Flosscett kept the energy high with a set full of queer pop anthems, spinning under the open sky. 

Later that night, the Sapphic side of the LGBTQ community came out strong for “Unraveled: Women’s Party” at The Park at 14th. An all-female DJ lineup took over the four-story bar, filling each level with music as Harlem star Jerrie Johnson hosted the event for a crowd of more than 5,000 queer women, femmes, trans, and non-binary baddies who showed up—and showed out. 

Kinetic Events have become a cornerstone of the D.C. circuit scene, so it was only fitting that the “Fabric of Freedom” party would close out the weekend with a bang. Hundreds of mostly scantily clad men—dressed in harnesses, jockstraps, and not much else—descended into Burhta for a night of sweat, bass, and liberation. Queer stars Pabllo Vittar and Alyssa Edwards (RuPaul’s Drag Race) headlined the night, alongside a stacked roster of DJs and go-go boys who kept the massive space—three dance floors and 10,000 square feet—alive until the early morning hours. 

The next day at 9:30 a.m., folks started to gather on the steps of the Lincoln Memorial to get ready for the International Rally + March on Washington for Freedom. As the speakers began to arrive and check in, other event organizers started passing out signs. The rally and march, which lasted more than four hours despite the rain, had an impressive turnout. 

The L.O.V.E. WorldPride Chorus started the event, performing “Freedom” in bright pink shirts on the memorial’s steps, followed by Dee Crank of the Navajo Nation. There, she spoke about her experiences being a trans Indigenous woman and encouraged everyone to listen to those who are most oppressed. “The fight for freedom starts with listening,” Crank said. 

Ashley Smith, Capital Pride’s board president and a board member of the Human Rights Campaign Foundation, followed. He spoke with ferocity as he explained that now is the time to stand up for what’s right—especially for our trans siblings who are being ostracized by people a few thousand yards away in the White House and Capitol. 

Multiple other speakers came up and spoke as the sky got darker and the rain began to fall, but amazingly—the crowd didn’t seem to dwindle.

Among the notable speakers, activist and comedian Mimi Gonzalez came out and sang a modernized version of “I Will Survive” by Gloria Gaynor. 

“At first I was afraid. I was petrified. Kept wondering, ‘What in the world are they thinking? D.C. for WorldPride?’” Gonzalez sang-spoke as laughter rose from the crowd. “Consider this country’s leader who wants to rid the world of us—even he’s a little queer, having just broken up with Musk! Gay boys, lesbians, and trans. Look around the rainbow world, holding hands. So much love and unity, so much power when we’re one. There’s no stopping all of us. Our love outshines the sun,” she sang as cheers from the crowd grew louder. 

For four hours, speakers from all walks of LGBTQ life came and spoke—Tyler Hack from the Christopher Street Project emphasized the importance of supporting politicians who are looking out and working on behalf of trans Americans. Kamala Harris made a video telling the LGBTQ community to keep the faith and to keep fighting. Even multiple RuPaul’s Drag Race stars came out—including Mrs. Kasha Davis, who spoke with the Blade after getting off stage. 

(Blade photo by Joe Reberkenny)

“The political nature of this is that we’re in this period of negativity and of hate, and what we need to do is show up for one another,” the drag queen said as her rainbow leopard print dress and gigantic pink updo stood out against the marble of the monuments around her. “And what we really need is more of our allies to continue to show up. And I mentioned in my talk about painting your nails. I mean, any way that you can show up to support your family, your neighbors, your community. That’s what this is all about. Because we’re finding that more and more people are not siding with that hate. Yes, the conservatives are loud, but we can be louder.” 

As the group from the rally began to walk toward the Washington Monument, chants supporting trans kids and keeping LGBTQ people safe could be heard from yards away. The rainbow-clad group, holding umbrellas and signs, made their way down the Mall until they met up with Pennsylvania Avenue, as the final event of WorldPride took place. 

The closing concert took place at the end of the WorldPride Street Festival once again, as MkX, Parker Matthews, 2AM Ricky, and Brooke Eden sang their hearts out to the growing crowd. Just as the sky began to clear up, one of the headliners of the night, Khalid, started his set and performed his radio hits. 

Khalid performs at the WorldPride Closing Concert. (Washington Blade photo by Michael Key)

Doechii, the Grammy-winning performer, sang and rapped her most popular songs from her mixtape Alligator Bites Never Heal. She performed in true Doechii style, exuding confidence and love under the rainbow lights, ultimately finishing with an encore of “Nissan Altima.” 

“I love y’all,” she said into her alligator-green microphone, walking back into her swamp-inspired set. “What are y’all doing after this? Are y’all partying? I want to party! I’ll see y’all later!” 

Continue Reading

Photos

PHOTOS: WorldPride Street Festival and Closing Concert

Doechii, Khalid among performers

Published

on

Doechii performs at the WorldPride Closing Concert on Sunday, June 8. (Washington Blade photo by Michael Key)

WorldPride 2025 concluded with the WorldPride Street Festival and Closing Concert held along Pennsylvania Ave., N.W. on Sunday, June 8. Performers on the main stage included Doechii, Khalid, Courtney Act, Parker Matthews, 2AM Ricky, Suzie Toot, MkX and Brooke Eden.

(Washington Blade photos by Michael Key)

Continue Reading

Photos

PHOTOS: WorldPride Parade

Thousands march for LGBTQ rights

Published

on

The 2025 WorldPride Parade (Washington Blade photo by Michael Key)

The 2025 WorldPride Parade was held in Washington, D.C. on Saturday, June 7. Laverne Cox and Renée Rapp were the grand marshals. 

(Washington Blade photos by Michael Key and Robert Rapanut)

Continue Reading

Popular